Born of intersectional feminism and combating violence against women and minority groups, our collective aims are to bring folk together and do some good.

Earlier this year RASA put out an urgent appeal as they don’t have enough funds for their vital work. The importance of their work is ineffable, to us personally, everyone in Merseyside and beyond. For us, doing something to help raise funds was the only way we could respond. Hence, Commonality Grrrl. We are currently planning our first guided collaging workshop for the start of June 2025. During this workshop we hope to bring all kin together in a safe space to get creative all whilst supporting the growth of our community’s aid. 

Influences

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Influences 〰️

Riot Grrrl’s tenacious, punk feminism of utilising what you already have to make loud waves, deeply animates how we are navigating this project. Just like the Riot Grrrl’s of the 90’s, unapologetic inclusivity and diversity, it's important to us to add to our community in a way that benefits everyone. As Sara Marus explains when she was interviewed about her book ‘Girls to the Front’, ‘Riot Grrrl was basically about taking the ethos of D.I.Y. – do it yourself – and saying, hey, this ethos – create your own culture, make your own community – could be really helpful … we could mobilize that for explicitly feminist purposes.’ (Kerson, 2011 p.6) This is exactly what we are planning to do through Commonality Grrrl’s workshops. The idea of using simple and readily available materials, along with some help from our community, we want these workshops to be inviting and easy to participate in. Furthermore, making this into a project that can benefit everyone in an uncomplicated, secure way.

Although we would like our new found community to have fun and create something worthwhile, it's truly the act of coming together for a greater cause that we hope makes the biggest waves. We are hugely inspired by Emily Salina’s ‘Project Lovemebomb’. A project that utilizes reclaiming the toxic behaviors of lovebombing, to bring people together to create ‘something positive, as well as seeking to raise awareness about lovebombing and other red flags. so others can be better armed against getting sucked into a toxic relationship.’ (Salina, p.1) This project again takes a collectively painful experience and seeks to turn it into something where there is joy to be found. Salina’s project really has created a ‘Mexican wave of appreciation’ (Salina p.5) through each part of the project inspiring the next. When speaking with Salina about this project, this was a delightfully unexpected notion that kept growing. She explained how when she initially started by making the ‘bombs filled with love’, she hadn’t even envisioned the next parts of the project. We also hope for this to be the case for Commonality Grrrl, from simply coming together through the workshops, we’re excited to see what can come from this.

UPCOMING EVENTS

UPCOMING EVENTS

03/06

Venue
Ropes & Twines, Bold Street

We’ve planned our first guided collage workshop for the 3rd June 2025 at a local coffee shop, Ropes & Twines on Bold Street. We plan to raise money for RASA via ticket sales, but also through prints that we will make using the collages made by the participants.

Awareness and inclusivity are core values to this project for us, therefore we’ve considered these when making every decision. It was very easy for us to land on leading a collage making workshop. As it’s accessible and we’re able to make adjustments to be inclusive. Originally, the ticket sales were the only avenue we planned on raising funds, however, this developed with more research and consideration. We will be leading a workshop to make collages that we will turn into riso-graph prints to sell. This way we can raise further money through print sales.

Intersectionality and Accessibility

Considering the many geopolitical social injustices happening currently, acknowledging these with care and handling how we add to the support within these spaces sensitively, is a core value of ours. We’ve considered Jennifer Doyle’s ideas around not turning difficulty into controversy. As Doyle explains in their book Hold it Against Me, ‘difficulty is not a sign of failure but an index of the artwork’s engagement with the world’s complexity.’ (Doyle, p.xiv (14)) For us, within the context of our project, controversial or emotionally challenging art and experiences should not be dismissed for their discomfort, but understood as a deliberate, meaningful engagement with power, politics, and personal or collective struggle. With this in mind, we actively and openly acknowledge our privileges, as well at the collective struggles we face to be a placeholder as well as safe space for marginalised folk. Therefore, we are selling the workshop tickets at different tiered price points; lower-income, higher-income and regular. To make this happen, we had to speak with a few venues about how we could secure their space. Fortunately, Ropes & Twines, were able to offer us their space for free. So, we’ve not had to factor in a hire fee or minimum spend with our ticket prices. We also made sure we were only enquiring about spaces that were accessible to everyone. By considering these two things, we believe we’ve managed to be inclusive to anyone who would like to be involved.

Beyond this, we want to be able to make sure Commonality Grrrl feels like it is for everyone, because it truly is. We are not able to speak on everyones experiences, but we are always able to learn, listen and not take up space that isn’t ours. That’s why we’ve curated our contact us page in, what we hope to be, an open manor.

  • PREVIOIUS RISO GRAPH COLLAGE

  • PREVIOIUS RISO GRAPH COLLAGE

Cited work

RASA Website, ND. Available at: https://www.rasamerseyside.org/ [accessed 3rd March, 2025]

Marcus, S. (2010). Girls to the Front: The True Story of the Riot Grrrl Revolution. Harper Perennial.

Kerson, S. (2011). Author Sara Marcus speaks at the University about her book “Girls to the Front”. Communicator [online]. Available at: https://chscommunicator.com/16749/a-and-e/2011/02/author-sara-marcus-speaks-at-the-university-about-her-book-girls-to-the-front/ [accessed 11th April, 2025]

Doyle, J., 2013. Hold It Against Me: Difficulty and Desire in the Popular Song. Durham: Duke University Press.